• PHOTOGRAPHY CONTEMPLATIONS

Salzkammergut Hallstatt and the Dachstein glacier

Salzkammergut Hallstatt and the Dachstein glacier. Shooting in the Alps is always very special. Eyes are attracted to the relief of the Alps and it is very difficult to break away from this perspective and start looking for interesting details,…

Post Process versus Shooting

I presume that my post process is the same as that of most other photographers. The foundation for adjustments is in a RAW Converter (lens correction, brightness and basic contrast, white balance and basic noise reduction). Main adjustments…

Lake District 2015 - The Hidden Stories and Discovered Compositions

Throughout the week's stay, I had the constant feeling that the Lake District had been taken out of a film. As if someone somewhere was holding a film clapperboard and triggered the film sequence, the Lake District for the first time, click,…

Lake District 2015 - The Unavoidable Closeness of the Sea

Connecting the local landscape of lakes and the nearby sea is obvious. They are directly linked by the high sky and open spaces. Backlit shots by the sea also led me to capture similar images towards the end of the week in the Lake District. When…

Lake District 2015 - Water reflections

From the second half of the week the photographs took on a different character. The sky had totally engulfed me and, as a result, so had its reflections in the water. And the ever present gleam and backlighting. Backlighting itself helps to…

I am a photographer, a photographer of stories in the landscape. I try to look at the world around me, and despite all its complexity, superficiality and speed, I present its beauty in an unusual, inventive way. I take pictures of joy, freedom, melancholy, sadness or fairy-tale, roughness, infinity…

I am attracted by impressionism and positive image. I still feel strongly influenced by the painters who worked with light, color, shapes in the landscape, from Turner, through Monet to Van Gogh, to Šíma.

Perhaps, one day, I approach them at least in sight .